Saturday, February 15, 2014

Grammy's Beatles Special

Why the camera zoomed in on the guy with the shirt with the words “HIV Positive” on it is a mystery, but the Hollywood of today is full of bizarre and twisted characters from the underworld who have their own agendas.  The Grammy tribute to the coming of the Beatles to America 50 years ago in 1964 was a flop at best even though its lineup included the last two remaining Beatles, Ringo and Paul.  Still, I watched and hoped for more because I was a teenager in 1964 and saw their first performance on the Ed Sullivan Show.  Things have come a long way since I Want to Hold Your Hand. 

The show’s producers would have served their national audience better by retaining some of the simplicity and innocence characteristic of the event 50 years ago.  (The Grammy people could have at least held the event in the Ed Sullivan Theater.)  The Cirque du Soleil Mary Poppins figures complete with umbrellas and airborne summersaulting by wire was too much.  The close-ups of Paul’s beckoning glances to Ringo looked boiler-plate like Ringo waving his arms to elicit audience participation when he sang Yellow Submarine.  Paul’s tired eyes looked like those of an old man.  Show business catches up with you.  It was hard to watch people in their 70s rock and roll or as Bo Diddley said in one of his songs . . . “too old to rock.”

The Grammy people could have joined forces with PBS and TJ Lubinsky to produce a believable tribute.  PBS’ Doo Wop and Malt Shop specials prove the point.  They are respectful because they capture the generational relationship between the musicians and the real audience that gave them fame.  It was personal and despite what you see on TV disguised as authentic recreations, Hollywood just can’t do it, no matter how hard they try.  No one is as perfect as those who put on all that makeup and dressed up in nice clothing.  Real girls didn’t look like prostitutes in those days nor could boys or girls dance that well.  Besides, in 1964 there was spontaneity about the music – its rhythm and melody.  The songs had a good beat and you could dance to them.  That’s what the kids on American Bandstand said.  What happened in 1964 was special and you can’t bottle it.